Exhibitions

Pegah K Pegah K

Monira Al Qadiri: First SunPublic Art Fund at Central Park, New York

First Sun is a majestic painted aluminum sculpture of a hybrid human-scarab figure. Monira Al Qadiri (b. 1983, Dakar, Senegal), reimagined the ancient Egyptian deity Khepri—god of the rising sun—as a contemporary monument. For the artist, the artwork underscores the modern divide between humans and the natural world and reminds us of ancient cultures in which animals were revered.

Wed 3 Sep 2025 to Sun 2 Aug 2026

Central Park, Doris C. Freedman Plaza, 5th Avenue, NY 10019

Dawn to Dusk, daily

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Kandy G Lopez: Textile Truths: Faces of ResilienceACA Galleries, New York

ACA Galleries presents Textile Truths: Faces of Resilience, the second solo exhibition by multimedia Afro-Caribbean American portrait artist Kandy G Lopez. The exhibition unveils monumental fiber portraits that celebrate the intimate connection between textiles and communities of color. Lopez explores this relationship through themes of strength, vulnerability, courage and perseverance, employing the medium as a repository of cultural identity and collective memory that bears witness to the resilience of those historically marginalized.

Sat 1 Nov 2025 to Sat 17 Jan 2026

173 10th Avenue, NY 10011

Tue-Sat 11am-6pm

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Margaret Kennedy: Color Tryst Eerdmans, New York

Eerdmans presents Color Tryst, an exhibition of new work by contemporary painter Margaret Kennedy. Kennedy's works function as studies of bold, modern abstraction, building on layers upon layers of paint and process. Guided by intuition rather than rigid planning, the memory of her primary layers of paint lingers in the essence of the final product as color shines through the many coats and blends cohesively together. Her artwork is a palimpsest of her paintbrush.

Thu 9 Oct 2025 to Sat 8 Nov 2025
14 East 10th Street, NY 10003
Mon-Fri 10am-6pm, Sat 11am-5pm

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Lynne Drexler: A Painted AriaBerry Campbell, New York

Berry Campbell presents Lynne Drexler: A Painted Aria. The exhibition celebrates one of the most impassioned periods in Drexler’s career, when her lifelong devotion to music became inseparable from her art. During the mid-1970s, Drexler visited the Metropolitan Opera as often as three times a week. Enraptured by the soaring operas of Wagner and the power of Beethoven, she transformed sound and drama into color, rhythm, and form that reverberate with music itself. This exhibition brings together canvases and works on paper from this pivotal period.

Thu 9 Oct 2025 to Sat 15 Nov 2025

524 W 26th Street, NY 10001

Tue-Sat 10am-6pm

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Cristina Iglesias. The Shore, Hauser & Wirth, London

This autumn marks the first exhibition by Spanish artist Cristina Iglesias at Hauser & Wirth since joining the gallery. Iglesias is known for her unique sculptural vocabulary developed over four decades, creating immersive and experiential environments that reference and unite architecture, literature, psychology, mechanics, natural elements and site-specific content. Combining the conventional matter of sculpture— familiar materials such as glass, steel, bronze—with non-traditional materials like water and sound, Iglesias has forged an extraordinary visual language that feels simultaneously unexpected and inevitable. Coinciding with her London debut at Hauser & Wirth, Cristina Iglesias will also have a solo exhibition at Fundació Catalunya La Pedrera in Barcelona, Spain, from 9 October 2025 – 25 January 2026 curated by James Lingwood.

Tue 14 Oct 2025 to Sat 20 Dec 2025

23 Savile Row, W1S 2ET

Tue-Sat 10am-6pm

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Claudia Hilda: Neither Here, Nor There - The Migrant Body CARVALHO, New York

Neither Here, Nor There – The Migrant Body is an immersive installation in which spectators traverse the length of an illuminated wall, their movement shadowed by the gradual emergence of silhouetted figures behind its surface. At times a single body materializes; at others, multiple forms drift together in disquieting concert. Their gestures — at once delicate and insistent — reach outward as if to breach the partition, to press a palm against its resistance, or to signal across its opaque divide. These elusive interactions evoke recognition sought yet deferred. These apparitional figures, dissolving almost as they appear, speak to the precariousness of memory. The bodies move as memory moves: sometimes searingly vivid, other times receding, never wholly still. They carry the psychic weight of dislocation and exile, and the inward strain of holding fast to what cannot — or should not — be surrendered. Neither Here, Nor There – The Migrant Body becomes a purgatorial chamber in which memory, time, and presence converge.

Sat 13 Sep 2025 to Sat 25 Oct 2025

112 Waterbury Street, Brooklyn, NY 11206

Thu-Sat 12-6pm & by appointment

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Lynne Drexler: A Painted Aria, Berry Campbell, New York

Berry Campbell presents Lynne Drexler: A Painted Aria. The exhibition celebrates one of the most impassioned periods in Drexler’s career, when her lifelong devotion to music became inseparable from her art. During the mid-1970s, Drexler visited the Metropolitan Opera as often as three times a week. Enraptured by the soaring operas of Wagner and the power of Beethoven, she transformed sound and drama into color, rhythm, and form that reverberate with music itself. This exhibition brings together canvases and works on paper from this pivotal period.

Thu 9 Oct 2025 to Sat 15 Nov 2025
524 W 26th Street, NY 10001
Tue-Sat 10am-6pm

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Jesse Mockrin: Echo, Art Gallery of Ontario

Inspired by Baroque paintings, sculptures, and drawings at the AGO, in her first solo museum exhibition, American artist Jesse Mockrin radically re-envisions familiar historical subjects—Bathsheba, Solomon, and Daphne among them—through her own contemporary, feminist lens. Urgent and subversive, Mockrin’s closely cropped compositions reveal the unsettling and uncanny dramas buried in the art historical canon.  Curated by Adam Harris Levine, the AGO’s Associate Curator of European Art, this exhibition will feature more than 12 new large-scale paintings and works on paper, installed alongside paintings, drawings, and sculptures from the AGO’s European Collection.  

Time varies
Art Gallery of Ontario

317 Dundas Street West
Toronto, Ontario

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9 Women, 20th Century, Nagas, New York

In 1943, Peggy Guggenheim organized 31 Women, the first exhibition in the United States devoted entirely to women artists. More than eighty years later, 9 Women, 20th Century takes up the spirit of that landmark show and extends it. The exhibition brings together works by nine women who made distinct contributions to the major artistic movements of the past century, many of whom remain overlooked today.

Wed 3 Sep 2025 to Sat 25 Oct 2025

47 West 28th Street, NY 10001

Wed-Sat 12-6pm

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Coven: Beyond Borders, Brighton at the Regency Town House, October 29 - November 2, 2025

We are an international, intersectional womxn’s art collective dedicated to increasing diverse representation in the art world. We believe we can work together to break down the barriers to inclusion and visibility for all non-conforming, out-of-the-box, hard-to-classify artists. The exhibition showcases a diverse, multicultural collection of artists from Argentina, Chile, Italy, Lebanon, Malaysia, the UK, and the USA, including a live contemporary art performance by our Malaysian member, Benazir Ihsan, on Saturday, November 1, at 1:00 PM

The Regency Town House,
13 Brunswick Square,
Brighton and Hove,
East Sussex BN3 1EH
United Kingdom

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Lin Wang: True Romance, HB381, New York

HB381 presents True Romance, a solo exhibition by Oslo-based ceramicist Lin Wang (b. 1985, China). Wang is especially known for her production of large-scale still life installations and sculptural assemblages which investigate the corporeality and historic resonance of porcelain. Over centuries, porcelain’s combination of a kaolin-rich white clay body with deep cobalt glazes has registered the ongoing effects of contact and trade, as well as the phantasmic projections of a long-standing dialog between East and West. Working between China and Norway, Wang’s interest in this interchange holds personal significance, tinged by her own wanderlust, homesickness, and experiences of cultural discovery.

Fri 5 Sep 2025 to Sat 25 Oct 2025

381 Broadway, NY 10013

Tue-Sat 10am-6pm

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* Rise and Repaint Member * Lindsay Keeling, Present Spaces: Solo Exhibition, August 18 - December 12, 2025 at Switzer Gallery, Pensacola, FL

Present Spaces is a solo exhibition of abstract landscapes that illuminate the intersection of place, emotion, and personal presence. This collection is an invitation to slow down and step into a moment of peace.

Through vibrant yet peaceful paintings, this exhibition explores what it means to be fully here, grounded, and embodied. Each painting becomes a site of reflection, where color, texture, and horizon lines create space for stillness. This connection to the natural world brings a sense of clarity and confidence, allowing vulnerability to become a powerful form of presence.

Pensacola State College
Visual Arts Department
Anna Lamar Switzer Center for Visual Arts
1000 College Blvd., Bldg. 15
Pensacola, FL 32504

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Catherine Balet: Albedo, Bigaignon, Paris

Bigaignon presents Catherine Balet’s fourth solo exhibition at the gallery. Entitled Albedo, this series explores the intimate and essential relationship between water and light—elements that are both physical and symbolic.

Wed 20 Aug 2025 to Sat 4 Oct 2025

18, rue du Bourg-Tibourg, 75004

Tue-Sat 11am-7pm

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Weaving Poems, Sotheby’s London, London

Weaving Poems is a collection of 24 carpets created by Afghan designer Maryam Omar and the women weavers of Bamiyan in central Afghanistan. The designs are inspired by poems associated with traditional weaving practices, as well as by the natural and cultural landscapes of the Bamiyan Valley.

Exhibition: Mon 28 Jul 2025 - Fri 22 Aug 2025

34-35 New Bond Street, W1A 2AA

Mon-Fri 9am-4.30pm, Sat-Sun 12-5pm

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Solo Exhibition - Regina Durante Jestrow: Everything Mixing Always - Baker–Hall, Miami, FL

Baker—Hall presents Everything Mixing Always, Regina Durante Jestrow’s first solo exhibition with the gallery, on view September 6–October 11, 2025. Featuring new textile-based works, the show draws from the spiderweb quilt pattern—layering historical symbolism, personal meaning, and geometric abstraction. Durante Jestrow explores themes of intuition, protection, and labor through movement-driven compositions inspired by music and improvisation. Her materials—hand-dyed and secondhand fabrics, sequins, neoprene—reflect a commitment to sustainability and place. Based in Miami, Durante Jestrow reimagines American quilt traditions through abstraction and experimental processes, blending the spirit of folk art with contemporary concerns around memory, rhythm, and emotional resonance.

September 6, 2025 - October 11, 2025
1294 NW 29th St.,
Miami, FL 33142

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Carol Rhodes: Sites, Alison Jacques, London

Alison Jacques presents Sites, a solo exhibition of work by Scottish artist Carol Rhodes (b.1959; d.2018). Spanning nearly 20 years, many of the exhibited works have never been seen in London. In 1994, Rhodes began a body of highly distinctive paintings, which she proceeded to develop over two decades, until motor neurone disease made it finally impossible for her to paint and draw.

Sat 7 Jun 2025 to Sat 9 Aug 2025

22 Cork Street, W1S 3LZ

Tue-Fri 10.30am-6pm, Sat 11am-6pm

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Luchita Hurtado. Yo Soy, Hauser & Wirth Downtown, Los Angeles

I did many self-portraits. And then at one point I decided I would use letters, and I did...I started with a portrait that said, ‘I am.’ And I decided that was as much me as my real face and figure.’ - Luchita Hurtado. Over the course of her eight-decade career, Venezuelan-born, Los Angeles-based artist Luchita Hurtado (1920 – 2020) committed to a lifelong journey of personal and artistic evolution defined by ceaseless experimentation. The first exhibition devoted to the artist at Hauser & Wirth in Los Angeles, ‘Yo Soy’ (I Am) brings together paintings and drawings from a pivotal moment in Hurtado’s career: Inspired by the surge of feminist activism in LA, the artist held her first solo exhibition at the Woman’s Building in February 1974, debuting her Linear Language series of expressive, geometric word paintings. A half century on, ‘Yo Soy’ revisits that landmark presentation and includes never-before-seen works from the series it introduced. Through her vibrant, abstract canvases—some cut up and meticulously resewn—visitors will be able to experience the depth of Hurtado’s exploration of pattern, mysticism, the earth and the cosmos.

Sun 29 Jun 2025 to Sun 5 Oct 2025

901 East 3rd Street, CA 90013

Tue-Sun 11am-6pm

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